Sure. I mean, we're always struggling to keep up with what kids are doing out in the real life. You know, they-our kids are more savvy about music than ever before. They all carry their own personal iPod, their own personal music collection. But Russ is right, sort of the basics have not changed. I want to respond to something that you asked earlier and also to the listener that called in about you know, why is this important and why do we teach this. And Samuel Hope, who's the executive director of the National Association of Schools and Music, he says we have five ways to communicate and organize thought and knowledge. The first one is letters and words, which is our language. And the second is number and symbols, which is mathematics. And-but the next three are still images, which is art in architecture and design, moving images which is dance and film, and abstract sound which is music. And we tend to only place emphasis on the first two. And if a child does not excel at the first two, then we spend more time teaching him that or her that rather than-at the expense of the other three. And so there are other ways besides numbers, mathematics and language, to communicate and to organize sound, and music is one of those. And if we have a child who doesn't communicate well with the first two, then he or she just doesn't do well in the education system as we have it set up today. And, of course, we're going to have students at risk. Imagine if you spend eight hours, as a seven year old, just studying words and numbers and you're bursting to express something and you can't do it. I mean, this is just an accident waiting to happen. And I don't - I mean, we don't - we can't just do a little music. Let's outsource this and sing some songs after school. That's not how you teach. You don't teach algebra that way, you don't teach somebody to read that way, you don't teach science that way. You cannot teach anything that way. So it's very important that you have a structured, you know, step-by-step education so that students have access. Understanding how to read music and to sing music and to play music is access.
-Dr. Hollinger, music education instructor SJSU
Showing posts with label Articles. Show all posts
Showing posts with label Articles. Show all posts
Thursday, September 23, 2010
Wednesday, September 15, 2010
Re-Post of a good article about basic rhythm skills
Developing a “Good Sense of Rhythm”
I’d like to suggest that there are three components to having and developing what we so loosely refer to as a “good sense of rhythm”:
- A sense of beat. This means the ability to maintain a steady beat/pulse. This is probably the most common and most basic problem that students encounter when it comes to rhythm issues in their piece. The inability to maintain a steady beat/pulse is crucial for developing #’s 2 and 3 below.
- A sense of rhythm (i.e., note values). This involves being able to accurately identify and execute the various note values within a variety of tempi. Beginner students may struggle with placing eighth notes within a quarter note beat, while more advanced students may struggle with syncopated rhythms or playing 2 against 3. It is nearly impossible to develop a sense of rhythm without first developing a sense of beat (#1 above).
- A sense of meter. This may very well be the most elusive component of the three. At the most basic level, issues with proper sense of meter will evidence themselves when, for example, a student fails to maintain 3/4 time by extending the third beat so that they are actually in 4/4 time (a common issue among beginners). At more advanced levels, issues with proper sense of meter will evidence themselves when, for example, a student feels cut time (2/2) as common time (4/4), or feels 4/4 or 3/4 time as more like 1/4 (not uncommon in Bach’s contrapuntal pieces). Losing sight of the meter is like failing to see (or feel) the big picture.
When student has a rhythmic issue in one of their pieces, it can be really beneficial to further identify which of the three components above may be lacking and causing the issue in this case. An issue in understanding what a half note means is quite different from an issue with keeping a steady beat, for example! The teacher would solve these issues quite differently.
On a bit of a tangent — all this talk about rhythm is one of the reasons why I’d love to be able to offer pre-piano / early childhood music group classes someday (once set up a studio in my own home rather than teaching on campus). Offering these kinds of classes allows the students a chance at musical development before they may be ready for private lessons with a teacher. And these classes are a perfect opportunity to begin developing good senses of rhythm! Developing a sense of beat (#1 above) can be done with activities involving tapping, clapping, or walking the beat while singing and moving. Soon after, students can begin echoing and creating various rhythms within the steady tempo to begin absorbing how note values (#2 above) work. And, of course, the teacher will present these rhythm activities within certain meters/time signatures (#3). Although the students may not yet be at the point where they can understand what a time signature means, they can at least begin absorbing and feeling what these meters sound and feel like. All these things are great foundations for taking lessons later on!
These kinds of activities are not only for early childhood, though. They would also work well for monthly group lessons with students ages 5-7 (but probably not any older, depending on the activity) who are already taking private lessons.
There are many ways to develop a good sense of rhythm in students! The most important thing? Showing students that rhythm can be fun! =)
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